Swiss artist Simon Berger was commissioned to create a portrait of Kamala Harris following her election as the first female Vice President of the United States. Executed through Berger’s signature technique of controlled glass fracture, the work materializes a moment of political rupture—holding fragility and force in equal balance. The portrait stands as a quiet reflection on representation, materiality, and historical change.
HOW NOA OPERATES
NOA operates at the intersection of artist representation, strategic advisory, and independent collecting. The practice is built around long-term thinking, selective engagement, and direct involvement in the structures that shape artistic relevance over time. NOA does not pursue scale, visibility, or volume. It works through sustained collaboration, informed presence, and clear decisions.
Yves Scherer & Leonor Fini — Les Plaisirs et les jours — Duo Show at Loeve&Co, Paris in collaboration with Agence DS
WORKING PRINCIPLES
Selectivity
Collaborations are limited and long-term. Every engagement is deliberate.
Positioning
The focus is not exposure, but sustained relevance within institutional and market structures.
Judgment
Decisions are informed by direct presence, experience, and continuity — not trend response.
Marta Kucsora’s Untitled 114 - 117 at a private collection in Lucerne, Switzerland
ARTISTS
NOA works with a small group of artists whose practices require time, context, and structural clarity. Representation is shaped around individual trajectories rather than short-term opportunities.
Selected Artists
Simon Berger — Yves Scherer — Marta Kucsora
Simon Berger’s L’espoire in Grenoble, 2021 — permanent installation
PRESENCE
NOA maintains an active presence within international art contexts. This presence is not performative. It functions as a working method, enabling first-hand understanding, long-term relationships, and informed strategic decisions.
Marta Kucsora — Liminal Spaces — Solo Show at Kahan Art Space (Eva Kahan Foundation), Budapest, curated by Viola Lukács